Strata · 2001–2026
What each year left behind
From primary school to this year: 13 walls, every record with a public source.
CHE-YU WU · New media art · Sound · Algorithms
I once sought eternity. Now I find myself cherishing the present.
New media artist, musician and educator, born in Taipei in 1995 and based there. He makes digital life that grows and answers to people, working with code, the piano and an open-source knowledge base.

A world fed by the piano, then left to write its own ending.
Performance photograph: 林亞蓁, commissioned by C-LAB01 · NOW
02 · SELECTED WORKS
A live algorithmic weaving system turns thirty-five years of Taiwan's carbon data, Taoyuan's ponds and rivers, and visitors' daily choices into one continuously growing cloth on a ring of LED.
A twelve-metre projected wall of water driven by visitors’ answers: each response becomes a frequency, and the water reveals a ripple mandala on the phone and on the wall at once.
03 · 2025
On 31 May 2025, at a piano concert in Huashan 1914 Creative Park, the audience could sit or lie down while, for ninety minutes, the visuals were generated live from the playing. That year MONOLAB, the studio he founded, made two performances, two exhibitions, four teaching programmes and four brand collaborations. The two concerts at Huashan drew 131 visitors, and The Eternal Garden in a Bottle drew 475 over six days at Pier-2 in October. The work went into an LG product launch and became a generative painting on the wall of Starbucks Reserve DREAM PLAZA Taipei. Teaching ran from a p5.js workshop at National Sun Yat-sen University and a two-day TouchDesigner bootcamp at Wild Lab to a weekly livestream at the end of the year, from 9 November to 21 December.
“We have been doing the same thing all along: building an organic interaction between viewers and digital dreams.”
MONOLAB, description of the 2025 annual film, YouTube, January 2026 (translated)
Premiere of the immersive piano concert: two ninety-minute shows, 131 visitors.
An extra performance for a networking party at AMBI SPACE ONE.
The full version of the 2024 Paris residency prototype: ten interactive instruments, four evening concerts, 475 visitors in six days.
A new commission for AMBI SPACE ONE's Ambi Artech Hub, The Future of Art programme: visitors shape light and sound with their gestures.
A one-day p5.js creative coding workshop for the course Interdisciplinary Innovation Project I.
MONOLAB's online course site, starting with a fundamentals course, with assignments and demo files for students.
A two-day in-person workshop for people new to TouchDesigner.
About an hour per episode, building one real-time visual from scratch. Seven episodes aired in 2025.
An artist interview shoot with VOLVO.
An LG OLED product launch: seven generative art zones and a live performance.
A permanent real-time generative painting that changes with Taipei's time and weather.
A short video on his Instagram introducing the programming monitors.
04 · LAB · 2018–2026
Daily coding since 2018: 828 pieces, each one runs right on the page.
I want every work to be a digital life form. It is more fun that way.
Che-Yu Wu, October 2026 (translated from Chinese)
人間繁華,文明興起與衰亡,
化為女神的囈語閒談,跨越了千萬年。
05 · MORE
Strata · 2001–2026
From primary school to this year: 13 walls, every record with a public source.
Music · Latest song
60 songs on StreetVoice and 6 piano releases on Spotify.
Go to Music →Thinking · Latest dialogue
Memory is the substance of life itself. Life is building a castle in a void world — we are at once our own foundation and our own next stone. The work is stone laid upon stone, paving a road into other people's worlds. Once AI brings the friction of execution and thought down to zero, what remains hard is being continuous — finding your own sunlight, the way coral does. So we, as human beings, can finally wake up.
All thinking & writing →About
Exhibitions, commissions and collaborations: Contact →