這一頁放四首詩。〈迷網的終點〉是 Documents 資料夾裡的「迷路~~.docx」，Word 檔記的建立日是 2011 年 3 月 12 日，3 月 23 日最後存檔，作者欄是 Majer。〈漁父×漁父〉是「漁父x漁父.doc」，檔案日期 2011 年 10 月 22 日，標題旁署名 Majer。〈尋找〉和〈四點半〉是 2012 年 12 月 11 日和 12 日的手寫稿，各配一幅黑線插圖，角落簽「Majer 2012/12/11」和「Majer 2012/12/12」。2TB 推甄作品的「新詩」資料夾也有這兩張，是 960 像素寬的縮小版。
This page has four poems. “The End of the Maze” is the file 迷路~~.docx in the Documents folder; the Word file records creation on 12 March 2011, a last save on 23 March and the author Majer. “Fisherman × Fisherman” is 漁父x漁父.doc, dated 22 October 2011 and signed Majer beside the title. “Searching” and “Half Past Four” are handwritten sheets of 11 and 12 December 2012, each with a black-line illustration and signed “Majer 2012/12/11” and “Majer 2012/12/12” in the corner. The “new poetry” folder of his 2TB admissions materials also holds both sheets, as 960-pixel-wide copies. The poems are in Chinese and are not translated.
〈迷網的終點〉
踏著的是痕跡，
腳步沒了前往的目的，
徘徊著佇立在未來前，
離不開的是童稚的迷迷離離。
往哪？是什麼盤旋在我的未來？
身旁的同伴走去，
顫抖的雙腳不爭氣的不往前。
時間向前射出了長箭，
拉著的是我還在猶豫的身影。
一片漆黑，失去的夢想與希望，
結果是無盡的長廊，
沒有底，
我恐懼的發抖，
面臨未知的轉變，
一群人出來，
空洞的眼神掏空著我，
這是大人的階梯嗎?:
抑或，現代社會的壓迫下的，大人的電梯？
更快速的轉變，是更深沉的絕望。
我不懂，
同伴們細細碎碎喃喃自語著，
我被推進了電梯，
「不~~」
掙扎著，徬徨著，消失在電梯的盡頭
我出來了，
一樣，又是空洞的眼神。
“The End of the Maze”. A speaker stands before the future with no destination, is carried along with his companions, and is pushed into what he calls the lift of adulthood. He comes out the other side with the same hollow eyes as the people before him.
〈漁父×漁父〉 Majer
你划著水 往現實輕輕漂來
嘆息紛紛化成了霧中的清寞
只是看著 你的心不是早已死去
來自過去 層層執著 蔓纏成了繭
人走了 倉皇接踵而至
景變了 就像號稱永恆的誓言
連記憶中 遲了一步的桃花源也凋零了
尋向路 通往過去的捷徑再也找不著了
那便笑吧 讀自一人 你划到了江邊
載浮載沉 越來越沉重的過去拉緊了腳步
找不到了 曾經美好過的回憶
划下去只有再次望向崩毀的心酸淚
停了 也不後退
你朝岸邊失落的身影走去
反諷自己似的
你說了句 聖人不凝滯於物 而能與世推移
----卻發現嘴角傾洩而出的是 無法掩飾的澎湃
“Fisherman × Fisherman”. A poem in short lines in which a fisherman rows back toward the present while the past grows heavier, and ends on a saying about a sage who does not cling to things and moves with the world, while his mouth gives away something he cannot hide.
〈尋找〉
我不小心把我的眼球踢遠了
踢的遠遠的
我走遍了半個的地球還是找不到
別人說我是個瞎子
但我心沒有盲
況且誰沒事會去拿隻蝦子(也許我會
別人說我失明了
但我心中的光尚未熄滅
我追著光走
花朵因為我頭頂的反光而綻放
誰說一定要看的見光才沒有失明?
有些人看的見光卻又看不見
我繼續將我的眼珠滾得更遠
如此
滾...
滾.........
我才能繼續尋找。
Transcription of “Searching”, in Chinese. The speaker has accidentally kicked his eyeballs far away and walked half the globe without finding them. People call him blind, but the light in his heart has not gone out. He keeps rolling his eyes further so that he can go on searching. The third line of the second stanza breaks off in the manuscript.
〈四點半〉
媽說
十點了!
快去睡覺!
我說
一邊把手錶給他看
可是現在才四點半
然後另一隻手仍
緊緊握住玩具箱
再偷偷的
把反著戴的手錶
轉回來
Transcription of “Half Past Four”, in Chinese. His mother says it is ten o’clock and time for bed. He shows her his watch and says it is only half past four, while his other hand keeps a tight hold on the toy box. Then, secretly, he turns his back-to-front watch round.
